Rose of Sharon seems to represent the quiet life force that matures through death to keep the "people" of the earth alive. Where the men are the active decision makers, the women are the stoic backbone. It's an idealised view of "Woman" who finds her strength in dust of reality. Compare Rose of Sharon in "Grapes of Wrath" with the "Fiance" in "Conrad's Heart of Darkness." In the latter, woman is a statue-like ideal on the pedistal, kept ignorant of the "dust" of life because to inform her of Man's true nature would have been "too dark altogether."This is one of the real powers of Stienbeck's novel. He takes "Woman" off the pedistal society has put her on, strips her of her friviolity, even her motherhood and gives us an image of "Woman" as the lifeblood of humanity at it's highest and lowest form.Conrad's "Woman' is kept apart from the "Horror" in which men toil to create the means to keep women on their pedistal which harkens back to the biblical myth of woman being the downfall of man. But Stienbeck has his "Women" struggling side by side with "Man" and endows them with a grace borne from their suffering as well as man's.
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